Friday, August 21st at 7:30 pm
Saturday, August 22nd at 3:00 pm
2853 W Montrose Ave, Chicago, IL 60618
Black box opens 30 minutes before showtime.
Estimated Run time: 70 minutes
Masks are suggested for the audience and will be available at the event.
The evening will include works by Choreographers Sydney Erlikh and Deb Goodman with dancers, and by Bradford Chin.
And Yet We Are Here, an evening of dance calling for an end to violence. Disabled bodyminds are often among those most deeply impacted by violence, conflict, and systemic injustice. The piece considers and expands on the themes of war and rebuilding while embodying the resources of the disability community's collective care and access, even in the face of bullets, bombs, and brutality. This piece takes us through the events of lives marked by tragedy and how communities come together to move forward and build a better world.
UDF member Bradford Chin presents a selection of three small group works. The kaleidoscopic play of The Vertiginous Thrill of a Flop / PLAY (2026), originally created at the University of Wisconsin-Madison, flits between the extremes of its incoherence to teeter on the edge where we flop, fly, or flop into flight—the experimental spirit necessary for our artistic explorations. SOLO Trio (premiere) continues Chin’s SOLO series that explores disability-centered inclusive choreographic practices and challenges how we recognize and conceptualize unison across diverse bodies in motion. The third work, To be far and close (work in progress), gently contemplates the life of shared relationships and how they grow or contract across time and distance.
Image by Matt Griffo
Registration is required; tickets range from $15 to $30. There will be limited additional tickets available for purchase at the door. Please note that all door sales are cash only.
Unfortunately, there is not a live stream option available at this time.
If you are unable to purchase a ticket, please email unfoldingdisabilityfutures@gmail.com
Photo by Matt Griffo
Additional Information to come.
Additional information to come
Additional Information to come
Masking is suggested for the audience but is not required. Masks will be available for the audience on arrival. Not all dancers will mask during the performance. Additional information will be added on air purifiers in the space.
Moving around, stimming, making noise, etc are welcome and encouraged during all performances. Please feel free to bring any access tools that might help you feel as comfortable as possible during the performances, including, but not limited to, ear defenders/plugs, fidget tools, headphones, etc. Some of the performances will include loud, sometimes overlapping noises. If at any time these become overwhelming, volunteers are available to direct you to a quieter space. All performances are relaxed, and the audience can enter and exit the theater as needed.
Further information on audio description and captions to come.
If you feel you might need some sort of access tool during this performance, but do not have it or the ability to acquire it, please reach out to us at unfoldingdisabilityfutures@gmail.com.
The performance will be happening in Dovetail Studios.
Dovetail Studio is one level and is wheelchair accessible. Seating options in the black box theater will be flexible, with options to move around eating as needed. There will be chairs, benches, mats, and pillows. Please contact us if you have concerns about seating.
Please note there is only one restroom on site. It is a single-stall restroom that is wheelchair accessible.
Street parking is available around Dovetail Studio.
Driving and Parking
Street parking is generally available in front of the building and along adjacent streets. Some of this is paid parking.
Additional accessible parking will be sectioned off immediately in front of the plant for all Unfolding Disability Futures events.
Public Transit
Dovetail is located on the north side of Chicago at 2853 W Montrose Ave, Chicago, IL 60618. They are close to transit: ~ On the same corner of the studio are stops for the #78 and #93 bus at the corner of Montrose and Francisco. There is a brown line Kimball stop .4 of a mile north of the studio. You can ride your bike and park on the street, or park your Divvy at the bike-share station at Francisco and Montrose.
William Crosley Bennett is a Chicago singer-songwriter blending hot-rodded honky tonk and Midwestern rock & roll.
Maggie Bridger (she/her) is a sick and disabled dance and fiber artist, access worker, and scholar interested in reimagining pain through the creative process. Maggie is a 2022 & 2025 City of Chicago Individual Artist Program grantee and has held artist residencies through High Concept Labs, the Chicago Cultural Center's Learning Lab, Synapse Arts, and Chicago Dancemakers Forum. Her choreographic work has been shown at Elevate Chicago Dance 2022, The Art Institute of Chicago, Cottey College (MO), The Steppenwolf Theater Company's LookOut Series, and RedEye Theater (MN), among others. Maggie is a PhD Candidate in Disability Studies at the University of Illinois, Chicago where she is conducting archival and ethnographic research in service of her dissertation project, Dancing With/in Pain. She is Membership & Conference Manager with the Dance Studies Association, a member of Synapse Arts' Programming Committee, an Advisory Council member for the Chicago Dance History Project, and on the organizing committee for the Chicago Dance Studies Working Group. Learn more at www.maggiebridger.com.
Erin Compton is a student at College of DuPage, working on an Associates in General Studies with an emphasis on dance and advocacy, which have both played a huge role in her life. Dancing before she could walk, Erin has danced with the local park district, Expression Dance, Joffrey Ballet, Unfolding Disability Futures, and Cirque Experience, where she rides the German Wheel, and she has performed in the Netherlands, South Africa, Germany, and Finland. She also loves history and geneology. Erin began serving on the State Rehabilitation Council at age 16 and is currently serving as the chair
Mia Coulter danced with Chicago’s Dance/Detour for 5 years as a company member, touring internationally. She received Access Living’s 2004 Independent Living Achievement Award.
Sydney Erlikh is a dance artist, educator, and scholar. Sydney is the co-founder of the Inclusive Dance Workshops, which began at Access Living. In Chicago she has choreographed, curated and performed works at the Art Institute along with Unfolding Disability Futures. Internationally, she has taught, choreographed, and performed in Durban, South Africa, and Helsinki, Finland.
Deborah Goodman is a dance professional with forty years of experience in the field. She is a Lecturer in Dance at Loyola University Chicago and a certified Gyrokinesis instructor. Deborah danced with celebrated choreographers Martha Graham, Yuriko Kikuchi, Pearl Lang, Sandra Kaufmann, Goldhuber/Latsky and Richard Move in NYC, and MOMENTA Dance Company in Chicago.
Tsehaye Geralyn Hébert is a citizen playwright (Sundance Theatre Festival; the Kendeda; Vermont Studio Center; 3ArtsBodies of Work) and a bona fide Louisiana gumbo girl! Her works are steeped in place, migration, myth and history. That world was so disability rich, it took Hébert’s participation in organizations like Unfolding Disability Futures, Disability Lead and Cultural Access Collaborative to begin to comprehend its enormity. On the stage or on the page, Intimate moments, the hyperbole of Mardi Gras, an unrelenting urban scape, and rural America all ground and inform her work. Positioning the American Souths through shifting narratives mirrors Hébert’s life. She triaged between her father’s rural Pointe Coupeé family seat, her Baton Rouge LA birthplace and her mother’s beloved New Orleans. The second great grand-daughter of Creole storyteller, Dorlis Aguillard, Hébert honors her Afro-Creole culture and its traditions.
Maypril Krukowski Minor A TikTok Queen who loves dancing, Maypril is a part of the leadership for Unfolding Disability Futures Collective. She has performed in the 2022 and 2023 CounterBalance, as well as two productions with Momenta Dance Company. Her recent performance at the Art Institute of Chicago, in Right to Wander, received positive reviews from the Chicago Reader as well as the Access VSA blog. In 2024, she traveled to South Africa to perform at the ADDN JOMBA! Festival. She is surrounded by a phenomenal group of individuals who are her biggest supporters. They are helping her to break new ground so that she can open the doors for others.
Kris Lenzo is a disabled dancer/choreographer and a 3ARTs award winner, Kris embraces the motto “Move to Live.” He has been a national champion in wheelchair basketball and wheelchair track several times. He first performed with MOMENTA in 2003 in Larry Ippel’s Sharing the Moment. Kris facilitates MOMENTA’s EveryBody Can Dance! workshops and is a 2015 3Arts awardee.
Anne Marie Leosch
Stefanie Piatkiewicz (M.A. & GL-CMA Columbia College Chicago, M.Ed. Loyola University) choreography has been featured at Hamlin Park Theater, in Links Hall’s THAWALLS, and Dance Chicago’s New Moves. She has choreographed several musicals, including Schoolhouse Rock Live! for Dominican University, My Fair Lady, The Mystery of Edwin Drood, Pippin, and Ragtime for Concordia University, and directed Disney’s Frozen KIDS, Aladdin KIDS, and The Lion King Jr for Dawes Elementary. Piatkiewicz is a yoga, dance and movement educator, and is a 2019 Certified DanceAbility International Teacher. She studies, teaches, and performs with Unfolding Disability Futures under the artistic direction of Maggie Bridger and Sydney Erlikh. She is also a Chicago Public Schools Dance Teacher.
Lauren Sheely (she/her) is a chronically ill dancemaker, teaching artist, and dramaturg from Chicago, IL. Her works centers on exploring the bodily manifestations of invisible illness and finding joy in all manners of movement. Lauren is a co-facilitator for the weekly Inclusive Dance Workshop series and a regular collaborator with Unfolding Disability Futures. She holds a BA in Theatre and Performance Studies from Grinnell College and an MA in Performance Studies from the University of Chicago.